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7
· LARRY WELO · etchings
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I have been working as a professional artist printmaker since the mid 1970s. When making an etching, I work on location, taking my copper plate to the place where I draw with an etching needle onto the metal plate while observing my subject. I return to the location on different days and under varying weather conditions, each time pulling something new from the subject. With each etching, I try to capture the essence of a place, creating something that is more than a simple representation. I attempt to look into the heart and capture a place's soul. There is a connection that occurs between my hand, eyes, brain and the subject. There is much that also occurs in my studio. I etch the plates, using varying amounts of time in the acid to control the depth of the etched line. In addition to line etching, I work with other approaches. Aquatint, sugar lift, soft ground and drypoint are all techniques that I use frequently and am comfortable with.
Norwegian art critic Asmund Thorkildsen said, in reviewing my work, "The quality of these pieces is a result of light and atmospheric tension Welo is able to create through great control of the etching process." DEMONSTRATION:
STUDIO
ACCESS: There are two steps going up to the front door and
into the gallery. A stairway goes up to the second floor where
the main studio/workspace is located. Welo Studio, 2969 Main Street (PO Box 81), Blue Mounds, WI 53517 | 608-437-6838 | welostudio@aol.com
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| Audrey Handler |
| Jean Kelly |
| Marjorie King |
| Louise Kubista |
| Tom Laudin |
| S.V. Medaris |
| Luke Proctor |
| Carol Watkins |
| Larry Welo |
| Peggy Zalucha |